The ’72 Custom was probably the closest thing ever to a Fender-Gibson hybrid (with the possible exception of the now-forgotten Gibson Marauder.) Gibson-like features included a front humbucker pickup, and individual volume and tone controls for each pickup. It was the only Telecaster to feature Fender’s controversial three-bolt neck assembly and micro-tilt mechanism.
In its day, the ’72 Custom was poorly received by most Telecaster aficionados, possibly because it was such a radical departure from Leo Fender’s original design, and more probably due to the poor quality image enjoyed by Fender under CBS management. One well known guitarist did make the Custom his primary go-to guitar for a while, not surprisingly, given his propensity for replacing Telecaster single-coil neck pickups with humbuckers, and that was Keef Richards.
In the late ‘80s Fender Japan began re-issuing the ’72 Custom, followed in the late ‘90s by Fender Mexico. The ’72 has become an Indie band icon; Thom Yorke uses one as his main guitar on the rare occasions that Radiohead gigs. Ironically, the Reissues are generally much better made than the originals ever were, and in fact many more Reissues have been crafted than original ’72 Customs.I have a soft spot for my Custom. When the house was burgled this past summer, it was the only guitar to escape, as it was still on vacation in Brittany. Three days later at the Stade de France, Keef launched the Stones’ show with Jumping Jack Flash, playing his original black ’72 Custom. An omen, or what?







